Fruition

To request ADA seating: Please send us an email at [email protected] or call our box office at (415) 551-5157 and we can assist you. Our ADA area can reach capacity early, so we highly recommend contacting us as soon as possible. Day of show requests may not be able to be accommodated.

Dine with us at Curio and receive Expedited Entry into The Chapel! When you kick off your evening with dinner and drinks at Curio, we will check your tickets at your table and you will avoid the line outside. Be sure you tell us you're coming to the show when you make your reservation and upon arrival to the restaurant. Reserve HERE.

$26 Advance / $30 Day Of Show

Website | Spotify | YouTube | Instagram

FRUITION’S FINAL TOUR

As Fruition releases its eighth studio album, Something More, via Bloodshot Records, the acclaimed Americana band is also announcing plans to step away from touring following the scheduled tour dates, which now extend through January 2027. More than 15 years together, building a grassroots audience with stacked vocal harmonies and collaborative, song-driven Americana, this is American roots music at its broadest and boldest — a melting pot of rock, soul, folk, and pop.

Produced by Grammy winner Tucker Martine (The Decemberists. My Morning Jacket), “this album is the culmination of almost two decades of making music as Fruition,” explains Jay Cobb Anderson. Asked about the mission behind Something More, Kellen Asebroek shares: “We set out to show the world what we’ve learned along the way, both musically and personally, but perhaps more importantly, this album makes a point to be honest about the things we’ve had to UNLEARN. The truth of this album is found in kicking old habits, letting go of control, interrogating our motives, and approaching each session with fearless, open hearts.”

California indie band, Rainbow Girls, is known for their haunting harmonies, powerful songwriting, and unfiltered yet poised stage presence. Their live show is an unforgettable, one-of-a-kind experience that will make you both laugh and cry.

The band met in Southern California and formed at a weekly open mic night they hosted in their college house — known as Rainbow House. They spent their first few summers as a band, busking & couch-surfing across Europe on one-way plane tickets.

When their drummer left the band in 2016, Erin Chapin, Caitlin Gowdey, & Vanessa May pivoted toward a raw, stripped-down acoustic sound, performing around a single condenser mic. This spotlighted their intricate harmonies and cemented their place in the roots music scene. Since then, their blend of provocative charm and musical precision has earned them a cult following across the US and Europe, thanks in part to a viral rise on social media.

Their latest album, HAUNTING (2024), is both a sonic evolution and a bold reclamation. As Chapin puts it:
“The concept for this album came about from the word ‘haunting’ itself, which is the most common adjective people use when describing female harmonies. But what is it about female harmonies that make people want to describe them as ‘haunting?’ It’s because they’re powerful. And if a woman is powerful, then she must be a witch. She must be otherworldly or special because a regular woman couldn’t possibly be powerful on her own. We are reclaiming the word ‘haunting’ to describe our power – the power we find in reckoning with our trauma, grief, loss, and fear.”

The album dives deep into that reckoning — layered with grief and resilience, it’s an intimate yet expansive collection of songs that shine a light on the transformative nature of pain and the strength that grows from it. It’s Rainbow Girls at their most raw, most refined, and most powerful.