On sale Friday, 10/16 at 10am !

$60 ADV | $70 DAY OF SHOW

Doors 7 pm | Show 8 pm

Dumpstaphunk

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Dumpstaphunk has spent nearly two decades establishing itself as a cornerstone of New Orleans music,earning a reputation as a next-generation funk institution rooted in the legacy of the Neville family andThe Meters. Their electrifying live shows have drawn sit-ins from legends like Carlos Santana, Bob Weir,George Clinton, Dave Matthews, and members of Phish, with major milestones including opening for theRolling Stones in New Orleans and touring with Dave Matthews Band.Formed spontaneously during Jazz Fest in 2003, the band carries forward and modernizes the iconicNew Orleans funk tradition. Blending deep, gritty grooves with elements of rock and jazz, their sounddelivers masterful musicianship, soulful melodies, and unmistakable Big Easy spirit that keeps audiences moving.

The Breaks

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Roberts • Walter • Moore

When three modern groove masters of modern funk and soul-jazz converge, sparks are bound to fly. The Breaks brings together guitarist Eddie Roberts (The New Mastersounds), drummer Stanton Moore (Galactic), and organist Robert Walter (The Greyboy Allstars)—three musicians whose collective groove has shaped the sound of contemporary funk for over two decades.

Rooted in the tradition of late-’60s organ trios and hard-hitting boogaloo, The Breaks pushes the sound forward with deep-pocket rhythms, tight arrangements, and fearless improvisation. Eddie Roberts’ sharp, melodic guitar work dances effortlessly over Stanton Moore’s explosive New Orleans-infused drum grooves, while Robert Walter’s signature Hammond organ tones tie it all together with grit and soul.

Between them, they’ve logged countless tours, recorded landmark albums, and collaborated with a who’s-who of the modern jam, funk, and jazz worlds. But in The Breaks, the chemistry feels spontaneous—three kindred spirits locking into a groove and letting it ride.

From sweaty club sets to major festival stages, The Breaks deliver a sound that’s both deeply rooted and constantly evolving—a raw, joyful celebration of rhythm and musical conversation.

DJ Motion Potion

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MoPo is a master craftsman and his building material is the world’s most precious commodity: time. Consider yourself fortunate if you catch a Motion Potion DJ set since an enormous amount of scheming has to occur to manifest them. He approaches performances like a sound scientist, researching specifically who will be listening, and how exactly to reach into their souls. Every set is different, each unfolds in a myriad of different ways, and his intensive approach to preparation makes him versatile, deep, and so much damn fun. These are “DJ sets” in the classic sense, unfolding like poems with every song a word and every drop a bit of punctuation. He’s been called the “DJ for people who hate DJ’s”, ‘The Godfather of Silent Disco’ and the creator of ‘Electric Nostalgia’ but we prefer that you just call him, and do so with a weird musical challenge.

Since falling into his craft at a Greek nightclub in 1997, his adventurousness, and the zero fucks he gives for prevailing paradigms have led him into some unheard-of DJ territory. Like the 54-song southern rock set for Govt Mule’s “Deepest End’. Or the time he built three custom metal remix sets to follow Metallica at their XXX Anniversary. Or the countless festival lineups he has geeked into including every Electric Forest and every Outside Lands, and a ten-year residency at Bonnaroo (which led to HUSHconcerts, his trailblazing silent disco production company. Or the times he opened for everyone from Isaac Hayes to Sheryl Crow, to George Clinton, to Robert Earl Keene. Or the ‘weird dj challenge’ that led to custom multi-hour B-Side sets of Talking Heads, Radiohead, Prince, James Brown, P-Funk, The Grateful Dead, Beasties, Beatles & Beck, Widespread Panic, Metallica, and both Michael AND Janet Jackson. He even custom designed ‘The Antidote’ a Sunday night make-out session set for ear-shot kids at EDM festivals. This is a polymath DJ who defies anyone to classify his style or reign in his taste.

With that said, this isn’t some old man railing at ‘the kids these days’. Rather, he serves as a living bridge between the hundred years of popular music we love, and the two decades of modern production that pushes a dancefloor. He’s crafted more than 150 remixes, edits, and mixtapes, and records virtually every show he plays. Most of these only see the light of day in his live performances, but occasionally, he’ll find a cause worthy of sharing them. In 2016, he released Subterranean Homemade Alchemy, an extended album of Radiohead remixes aimed at drawing eyeballs to the social issues championed by the band. Or when a hardcore fan, or friend is in need of some musical inspiration, he’ll hunker down and find them something perfect from the archives, or make them something fresh. Reach out with an impossible challenge, that friend could be you.