Derya Yıldırım & Grup Şimşek w/ Niika

$25 ADV / $30 DOS.

This show is standing room only. There will be no chairs or risers. If you would like to request ADA seating, please reach out to [email protected].

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Derya Yıldırım is singing the song her grandmother used to sing — an old Anatolian folk standard called “Hop Bico”, which roughly translates as ”Hop Around Bico”. But the version Derya’s grandmother sang was different — she’d put her own slant on it. And Derya’s is different still — brought into the 21st century with a slow psychedelic twist and her own hypnotic vocals. This is by design. Derya insists that if you’re going to play an old folk song then you have to contribute something new, “otherwise you might as well just put the old record on.”

Born in Hamburg, Germany to Turkish parents, she grew up influenced by her family’s Anatolian background and the myriad of cultures in the city. Derya’s musical roots started at home playing folk music with family members. Her father pushed her to learn various instruments, beginning with the bağlama, a seven stringed Turkish lute. Then she picked up the guitar, piano, and saxophone.

Although she is a multi-instrumentalist, Derya always felt drawn to the sound of the bağlama - “there’s just something very magical about it”. With her band Grup Şimşek’s forthcoming album Yarın Yoksa, which translates to If There’s No Tomorrow, Derya continues her journey revitalizing Anatolian folk music and instrumentation by infusing timeless melodies with a modern psychedelic flair.

Ten years ago, while participating in a community theater project, Derya met French musicians Graham Mushnik and Antonin Voyant from Catapulte Records and formed the band Grup Şimşek with Helen Wells, a drummer from Cape Town, South Africa joining in 2021. While the band is truly international, they eschew the term ‘world music’, preferring instead ‘outernational’ which they say suggests a sound that’s more inclusive or “beyond borders.” DY&GS embody what defines Anatolian folk music — “You need a groove and a melody, and everything around it is free.” It’s this ethos that guides the band’s songwriting and the way they take on Anatolian folk standards. “I believe the melodies shouldn't be changed because we are responsible to preserve music in the correct way. Our versions respect the roots. It’s the same lyrics and melody, but it has a different soul maybe.” While it’s easy to think of folk music as a music of the past, she insists it’s just as important today. “Some of these poems were written hundreds of years ago but they’re still relevant. This music is so important because it remains the voice of the people, the minority, and the oppressed.”

After self-producing multiple albums, they signed with New York’s Big Crown Records in 2024 and teamed up with Grammy-nominated producer Leon Michels (El Michels Affair) for Yarın Yoksa. The new album embodies their balance of preservation and innovation across nine original compositions and three traditional folk songs. It is a record that will enchant any listener regardless of language barrier with Derya’s passion and authenticity front and center and music too moving to deny. Yarın Yoksa is sure to captivate the hearts and minds of all those who hear it, and just wait til you experience them play it live.

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Niika, conceived and fronted by Uzbekistan-born Chicago-raised Nika Nemirovsky (guitar and voice), is an effervescent blend of intimate indie, soul, and jazz-tinged folk. Drawing upon the creative ethos of artists like Lhasa De Sela, Kate Bush, and The Dirty Projectors, her writing defies categorization and instead draws people in with an unwavering mystery. 

Her current work, created with a stripped back performance in mind, reflects much of what sets her work apart- a sound that is distinctly, undeniably her own. An open hand upon a nurturing flame. An ecstatic flight that plays between harmonic and rhythmic registries. At times elusive but never lacking in a steady groove and often locking into that distinct jangle and abandon of anyone's favorite art pop reverie.